(un)cut

reda el toufaili kanaan

....................................it is hot (($ex)) stuff. don't touch it or u will burn, 2023
....................................golden shower for the golden hour, 2023
....................................so (heavy) you're hurting my feelings, 2023
....................................haram, i want to turn into you, 2023
....................................hot_toxic_sweet_poems, 2023
....................................i'm starting a new thing. it is called silence and you should try it sometime, 2022
....................................(un)cut, 2022
....................................can_i_call_you_habibi?_you_can, 2022
....................................it is a salted pomegranate because there is no sea in heaven, 2022
....................................let's have sex in the car and let them watch us, 2022
....................................too hot to candle, 2022
....................................mama once told me that if i spill salt i'll have to pick it up with my eyelashes in the afterlife, 2022
....................................i'm washing away your sins, 2021
....................................clubs are not, 2021
....................................boom/boom/boom/boom, 2021
....................................saaltak habibi, 2021
....................................l'oeil, 2020
....................................mama.mp4, 2020
....................................sans titre, 2020
....................................sans titre, 2014-2019
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Le plomb incrusté dans le béton forment la contradiction d’une matière solide, conservant une rigidité et d’un matériau malléable, mouvant, rempli de significations, superstition, d’énergies positives ou négatives par les croyances collectives. L’objet même de ce travail devient témoignage, documentation d’actions performatives à répéter au fil du temps lors de la réalisation de la lecture performée i'm starting a new thing. it is called silence and you should try it sometime.

(un)cut, 2022, planche à découper, béton sur plomb et traces de persil, 450x300mm